Uppena Movie Near Me – Uppena Movie Review: Vaishnav Tej, Kriti Shetty’s Romantic Play Leaves You With Your Middle Finger,
Uppena, written and directed by Butibabu Sana, explores what it means to live in a world defined by patriarchy and castes but struggles to free itself from a few clichés.
Telugu Uppena Movie Near Me
In Upper, directed by Buchibabu, the sea defines the lives of all his characters. The anglers who live near the sea admire it and are contingent on it for their livelihood. Since if they leave everything behind and live far from the sea, their life will be like that of a fish out of water. They are doomed to die. And others live far from the sea, whose lives and aspirations are as vast as the sky. They control everything from the lives of those below them on the social ladder to the women’s bodies in their families. These two worlds are not meant to hit or even mingle, even if the horizon gives the illusion that this is possible.
In a way, Uppena is the floor of two characters, Aasi and Sangeeta, chasing a distant dream where the horizon itself seems natural. Caught in the waves of the sea, the duo realize that life, contrary to their goals, is complex, and the walls of patriarchy and caste are too high to climb.
But such themes have been explored many times in Telugu cinema over the years, and Uppena, despite its background, leaves you with a strong sense.
Story Uppena Movie Near Me
Set in Uppad, a coastal town in Andhra Pradesh, the film follows the life of Rayanam (Vijay Setupati), who wants to build a fishing yard in the area. His daughter Sangita (Kriti Shetty) is the apple of his eye, but he treats her more as a symbol of his pride, dignity and caste, which must remain protected at all costs. Then there is Aasi (Vaishnava Tej), the son of a fisherman who falls in love with Sangita, who reciprocates after a while. The rest of the story is near what happens when Aasi-Sangita’s love for each other takes on the full fury of Rayanam.
Buchibabu sets the country’s rules through Rayanam’s eyes, and from the start, he equates his daughter’s mere existence with her dignity. His prestige associated with the comings and goings of his daughter. His anger is also related to the fact that he does not have a male heir, and therefore he is indifferent to his bedridden wife. No wonder Sangita grows up in a home without love and affection, and when she meets Aasi for the chief time in her life, she understands what love is. This is mainly what Uppena says.
Facts Uppena Movie Near Me
The more Sangita gets to know Aasi, the more she appreciates and understands what it means to be in love when, apart from Aasi’s presence in her life, nothing makes her feel safe and happy. The subtext is stiff to miss, but the depiction of their lives throughout much of the film is clichéd. A rich girl and a poor boy, separated by caste and class, have been among the most used images in Telugu cinema, and the only thing that distinguishes Uppenu is her background. Everything takes place by the sea, and therefore visually, the film seems new and aesthetic, even if the emotion inherent in it is familiar.
The attraction between the two lead actors, Vaishnav Tej and Kriti Shetty, is dazzling, and the two newcomers make a strong impression throughout the film. Their characterizations well written, making you invest in their love story. Kriti Shetty is an outstanding emotional character, and at the most pivotal moment of the film, she outshines even Vijay Sethupathy. And Vaishnav Tej conveys the moral dilemma and anger his character goes through quite well. For Vijay Sethupathy, this role is child’s play, and his cruelty is palpable even when he doesn’t speak much. In particular, the film’s climax well choreographed and leaves a lasting impression.
On the other pointer, the film’s narrative takes its time to unfold, and the turn of events becomes entirely predictable. Whenever you expect the story to take a dramatic turn, Butibabu is steering the boat in a familiar setting. The sight and sounds of the film are more interesting than the emotions experienced by the characters. This is a problem with Uppena. It makes you look at the sea for so long that you get lost in its vastness, and for a long time, only water remains around you. Luckily, Shamdat’s cinematography and Devi Sri Prasad’s music provided a pleasant distraction.
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